For those fresh to the show, surely the best, most intelligent piece of scripted drama to emerge from America in the last decade, the actual premise is fairly simple. Across the thirteen episodes of its season, it charts one case, and the numerous influences upon it. So it devotes roughly equal time to those committing the crimes as it does to those chasing them.

This time, the Baltimore Police Department have twin worries. There?s the continuing, festering narrative of events from the season before, along with a new problem when a container of dead bodies turns up at the nearby docks. After initial battles over whose statistics the bodies will be attributed to, a fresh case begins for the embattled officers of the Major Crimes Unit.

Yet season two is about much more than the case itself. Bubbling under the surface are characters with real problems, that take their toll on the day-to-day, while at the docks themselves there are union struggles underway, which also have a part to play. Thanks to, frankly, superb scripting, these various narrative threads are woven together quite brilliantly, and the result is perhaps the finest series of The Wire to date. And that?s no small feat.